Abstract — Contemporary Ink
From the “separation of analgesic effect of traditional painting spirit and traditional ink view” to ink rhyme and lines wandering on their own, once again, a new view of ink is sought to construct a new painting pattern. With the fusion of ink and propylene, the rhythm and metre of the sense of time are reflected on the plane, in this way, the emotion of the heart is expressed, and the visual time of the wisdom is transformed into the existence of the sense of space. It can see the dual construction and integration of the traditional and modern expressive skills, and the interpretation of the classical connotation of the new art that transcends the ideas of the East and the West. Just as “I can create it, even if there is no brush, no ink, no way of painting”. (Shi Tao) The Chinese and Western cultures collide here and disappear. Neither China nor the west is, both in China and in the west, the pen is driven by the heart. The exploration and Research on the creation of contemporary Chinese ink is shown.
抽象 — 當代彩墨
“從傳統繪畫精神取向和傳統的筆墨觀中鎮痛地分離出來”到墨韻與線條飄逸的自行遊走 —— 再次尋求一種新的墨象觀。建構一種新的繪畫圖式。 融匯了水墨與丙烯等繪畫顏料在兩度空間的平面上體現出時間感的節奏和韻律，以此承載內心情感的抒發，把智慧的視覺時間感悟化為空間感的存在”。其中可以看到傳統、現代表現技能的雙重構築與整合，詮釋新藝術超越東西方繪畫觀念古典的內涵。正所謂“縱使筆不筆，墨不墨，畫不畫，自有我在。（石濤語）中西文化在這裏碰撞，消解。不西不中，亦西亦中，筆由心動。呈現出中國當代彩墨創作在當下更廣泛的探索與研究的可能。
